Over the past five or so years, Mr P has been quietly building up a body of work: inviting old friends and peers from his world-wide travels to jam, experiment, collaborate, lay down something new; forecasting and championing new acts long before the commercial and artistic vindication in which he had played a part became widely accepted; a musical record that in its depth and contemporary relevance is as important as any, comparable to those very rare albums that come along and change our perceptions and define an era.
We are talking about the live sessions recorded in the legendary BBC Maida Vale studios for the DJ’s visionary ‘Worldwide’ radio show on BBC Radio 1 and also syndicated across the globe, though never before aired outside of the UK. With the majority aired once, at most twice these radio live sessions are often confined to the BBC vaults and left to gather dust. Indeed a select handful of tracks on the album including music from Bjork, Roisin Murphy and Common have never seen any form of airing. But some recordings are just too important, too damn good, to be left to posterity.
And so here on CD for the first time are the very best tracks by the very best artists recorded ‘live in session’ on BBC Radio 1 ‘Worldwide’. Exclusive tracks from N*E*R*D, Zero 7, Beck, The Roots, Amp Fiddler, Nitin Sawnhey, Jamie Cullum, Bjork, Heavy, Jazzmine Sullivan, Matthew Herbert Big Band, Roots Manuva, Beth Gibbons, Plantlife, Peven Everett, Spektrum, Jade Fox, The Heritage Orchestra, Dwele, New Sector Movements, Cody Chestnut and Fat Freddy’s Drop.
Album Liner Notes
Presents…The BBC SessionsApart from feeling blessed simply to have a show on national radio, the opportunity to use the BBC’s Maida Vale studios to record sessions has been a dream of mine since first hearing John Peel back in the eighties.
The Worldwide show has been going for over 5 years now during which time I’ve been able to air first plays from artists as diverse as N*E*R*D, Dizzee Rascal, The Streets and MIA alongside the more standard Worldwide sounds of the Cinematic Orchestra, Mos Def or Domu. That’s the thing about Worldwide – it’s really tricky to break down the format – possibly its key to survival actually – somehow a counterpunch to over programmed radio – whatever, as clichéd as it sounds, it really is all about the music.
Over the years the show has shifted and changed but basically remained similar in content, strongly influenced by the club scene within which I’ve played consistently since the mid eighties – it really is a scene that has given the UK a real advantage in terms of hearing new sounds. Live music has also been a big part of this scene – I mean where would The Wag club or Dingwalls have been without murderous live sessions fused within the DJ culture. So to be able to incorporate a live feel into the radio show has been a terrific and in retrospect essential addition.
Which is where this album comes in. I mean after over eighty sessions – the album had to be done, right? So, who to include? All that I can say is that there are at least another 2 volumes of music from Jose Gonzales and Seu Jorge to Build An Ark and Kindred still in the can! In the meantime so many memories are included here. I mean Björk and Rahzel jamming on a Sunday afternoon with a choir from heaven. The Roots demanding another session with the brilliant sound engineers. Peven Everett and Bilal keeping it simple and Dwele inviting Roy Hargrove into the red clay. The message-board crew being the audience during ‘The Audience’ from Matthew Herbert. Amp Fiddler charming my mum!…The Heritage Orchestra unable to fit into studios 2, 3 or 4 and ending up in Maida Vale’s holy grail, usually reserved for the BBC Symphony Orchestra – Studio 1!…and that Chris Bowden solo – wow!
All the sessions included on this CD were recorded for Worldwide except for the Jamie Cullum version of ‘Frontin’ which was done for the Jo Whiley show to whom I give thanks for letting us include it here – such a great version! Some tracks were actually recorded in the live room at Radio 1 – the NERD cut is one of those – so live – you just wouldn’t be able to get that from a properly produced studio album – and a big thank you to Pharell for letting us go with such a free vocal. Another amazing artist to work with was Steve Reid, who just took my breath away with not only his playing but also his attitude to music in general. This is where working with musicians will always beats DJs – they’ve just got more to talk about – more to share – more life! Oh well I suppose I always was just a frustrated musician!
Got to say that one of my favourite tracks here is the Beth Gibbons ‘Romance’ tune – she is so underrated. I mean Portishead were just amazing and to get one of Beth’s vocals inside this mix is very special to me. What I love about these session tracks is how in a world of pre-packaged music there are still artists who truly have got original creativity that sets them apart – check the Roots Manuva for a whole different approach to reworking a tune from his album – pure cocktail hip hop!
Anyways, I hope you enjoy this record and I hope you can feel this record for what it is – a testament that live music will always survive – especially on the Worldwide show!
Gilles Peterson Online: www.gillespeterson.net
Download a PDF of the SNC review here.
Download a PDF of the Undercurrents competition here.